In All That Remains, Davide revisits his family archive, composed of analog photographs taken by his father and materials rediscovered over time.
The work traces his childhood through images that seem to resist the passing of years, until memory itself begins to dissolve.
The arrival of the digital era, the dispersion of files, and the loss of tangible continuity mark the threshold between presence and disappearance.
The surviving photographs, the album pages, and the fragile film negatives are what remain of an attempt to hold on to time.

Each image carries the weight of what was once visible, transforming the act of remembering into a material gesture, something that can be touched, preserved, or lost.
In recent years, this reflection has intertwined with a more personal dimension.
The death of his mother in 2023, with whom he had a complex relationship, and the birth of his second son, Pietro, in 2024, have redefined his connection to memory and to the image.
All That Remains thus becomes a meditation on inheritance, on the transmission of identity and affection across generations, and on the quiet persistence of what continues to exist when everything else fades away.

There is no conclusion in this work.
Only the awareness that every image is a fragment of what survives, and that, in the silence between one photograph and the next, the most vital part of us continues to pulse.